An excerpt from
Crossing the Street
My life isn’t exactly bright and shiny. My name is Rebecca Throckmorton. I live in a small town, and I muddle along as best I can. Four scenes from my world:
Scene one: I am at the grocery store. Aimlessly wandering down the produce aisle, looking at the grocery list, as usual, in my mother’s elegant hand. What the hell is a rutabaga, and why do we need one? Suddenly, I see my father, who is long gone from our family—divorce. He is wearing a gold golf shirt, his khaki slacks, crisp and unwrinkled. His hair from the back is a bit silvery, as I am sure it would be after being away from our family for all these years. My heart lurches—He’s back! He came back! I abandon my cart and nearly bowl over a woman studying kiwis, knocking the one in her hand to the ground. I don’t even stop to apologize, because my dad. I come up behind him, breathe in his cologne—yup, Eau de Sauvage. I reach out to touch his shoulder, and he turns around. I gasp. The man is definitely not Dexter Throckmorton. Instead of a Roman nose, this guy has a schnozz. There is awful hair growing out of his nostrils. His eyes are not velvety and black, like my father’s—they are a watery gray and clouded with cataracts. He hears me gasp and asks, “Do I know you?” I abandon the rutabaga and rush out of the store, grocery list still crushed between my fingers.
Scene two: My sister’s wedding. I am wearing a sleeveless, misty green satin dress with two small lines of silver sequins along the bodice. The misty green is reflected in my coloring and makes me look slightly vomitous. I feel about to vomit, since my sister Diana is marrying my former boyfriend, Bryan Dallas, who stands at the end of the aisle, beaming, his horn rims polished so highly I worry that he might start a fire with their refractions into the balcony. As D comes down the aisle on my mother’s arm (see divorce, above), my mother looking for all the world like an aging Audrey Hepburn in a slender tube of taupe silk, I look down at my bouquet and stifle the impulse to hurl it in my sister’s smug, highly-made-up-with-false-eyelashes-and-dewy-lip-gloss face.
Scene three: Me and my girlfriend, Ella Bowers. I sit with her in front of the TV. We like to watch really old reruns of Lawrence Welk that I found for her on the Family Network. Ella pats down her soft, fluffy lavender white hair, and every time Myron Floren comes on comments how much her mother “just loved that man and his accordion.” I nod and agree, because I don’t intend to hurt her feelings—Ella is eighty-three, and I don’t want her to get riled up and have a stroke. I notice my cut glass tumbler of iced tea is empty, and I offer to go into the kitchen of her cozy bungalow and get us each some more.
Scene four: My day job and what really pays the bills. I get home from my part-time job at Starbucks at four. I stretch, try to do the downward facing dog, and fail, as usual, about three quarters of the way down. My cat, Simpson, ambles over for a purr, and then I go and pee, change into sweats, and sit down at my computer, where I pound out a scene in which four orgasms occur within the space of twenty minutes between Travis and Crystal, who are extremely talented genitally. My latest book, Boys on the Beach, is under contract and due at my publisher in two months. When I think about this, sweat pools into the cups of my bra, because I am behind schedule, and erotica pays the bills, not venti lattes.
There you have it.